Elaine Summers and I have been practicing for our show at Vashon Center for the Arts on 3/29/25.
Since Necktie Second is getting the deluxe vinyl treatment, we’ve been mining that old record and reaching for the deep cuts. “Hampton Inn Room 306” is one I’m not sure I’ve ever played live.
I’ve really enjoyed dusting “Hampton Inn” off. I’m playing it a little differently than I did on the record. I like how the guitar part works with a capo on the fifth fret.
Here is a rehearsal tape I knocked out on my cassette four-track.
Paid subscribers can download this recording—in hi-res or MP3—by visiting my rarities page.
Regular readers of Love Songs Etc know I love to mark anniversaries.
Thirty years ago today was the first day of Tom Petty & the Heartbreakers’ Dogs With Wings tour. Being invited to serve as their opening act was far and away the highest of all the highlights I enjoyed during the year and a half I spent supporting Necktie Second.
I’ll have much more to share about the time I spent in the orbit of Tom, The Heartbreakers and their fantastic crew in future posts as I continue my multi-part series chronicling the Necktie tour cycle. You can check out part one here if you missed it.
Peace & Love,
Pete
PS: Below I’ve copied a blog post I wrote when Tom passed away in 2017.
Tom Petty was a huge force in my life. I’m devastated by his passing. My heart goes out to The Heartbreakers and their amazing crew.
I’m moving between heart-wrenching sadness and gratitude-laced trips down memory lane.
While his body of work has had an immeasurable influence on me as a songwriter and musician, I’m most appreciative of the man himself and the kindness and generosity he extended to his young, eager fanboy of an opening act.
One night during the first leg of the tour, I told him how impressed I was at how consistently great his voice sounded night after night. I explained how I was having trouble keeping mine in shape on the road. Your average headliner might have let that end with a “Thanks, kid. Now leave me alone while I go wait for the limo.” Not Tom. Not only did he take the time to show me his vocal warm up exercises and turn me on to Throat Coat tea, he personally instructed his monitor engineer to help get my stage sound dialed in.
We stayed in touch after the tour. Some of my all-time favorite memories are of hanging around the studio while he worked. If you saw the movie Sound City, there’s a scene where Tom talks about a session with Carl Perkins. I was there while Tom and Carl cut their vocals under the enthusiastic guidance of legendary producer Bob Johnston. Witnessing that session was incredible. So was the story time that followed. For a while the fanboy dynamic evened out and Tom and I were fanboys together listening to Carl tell stories about hanging out with The Beatles and Elvis.
I never quite got to the point with Tom where I didn’t place him on a pedestal. I was an aspiring rocker in my twenties hanging out with the guy I worshipped as a teenager. Looking back, I wonder if a deeper friendship could have developed if I had not been so impressed by my idea of what he represented to me. Fame is such a complicated phantom in our culture. And I grew up during the height of rock stars are gods era. But I digress.
First and foremost, I’m a Tom Petty fan. Just last week I listened to Full Moon Fever on headphones from top to bottom. And we’ll be sure to crank that one up for the Full Moon on Thursday while we raise a toast to Tom and relish the songs and records he leaves behind.
Pete Droge
October 3, 2017
PS: The picture at the top of this post was taken in New York City on a night off. We’re dancing on a table to Bob Dylan’s “Changing of the Guards.”
Can’t believe that show was 30 years ago. One of the best concerts I’ve ever been to. 5th row!
Hampton Room 306 is one of my favorite of all your songs. I've loved the simple lonely heartfelt feeling of connecting with someone when you're away. Calling home from a hotel room is always a weird limboish act of connection. Plus its just a pretty song.
This rehearsal tape was a delight, hearing it now with your voice having changed a little, and the really bright sound of the guitar really changes the song from a melancholy undertone to something warm and comforting.